Sheku Kanneh-Mason & Cellist*innen des Konzerthausorchesters

Kammermusik mit dem Artist in Residence
Sheku Kanneh-Mason Cello Friedemann Ludwig Cello Andreas Timm Cello Taneli Turunen Cello Viola Bayer Cello Alexander Kahl Cello Nerina Mancini Cello Jae Won Song Cello Hyejin Kim Cello Fabian Sturm Cello
Henry Purcell Auszüge aus den Fantasien für Streicher (arrangiert für Cello-Ensemble) Kaija Saariaho „Neiges“ für acht Violoncelli Heitor Villa-Lobos „Bachianas Brasileiras“ Nr. 1 für acht Violoncelli Pause Johann Sebastian Bach „Komm, süßer Tod“ BWV 478 für Singstimme und Basso continuo, für fünf Violoncelli bearbeitet von Sheku Kanneh-Mason Johann Sebastian Bach „Nun komm, der Heiden Heiland“ - Choralbearbeitung BWV 659, für vier Violoncelli bearbeitet von Sheku Kanneh-Mason Johann Sebastian Bach Adagio aus Toccata, Adagio und Fuge C-Dur BWV 564, für vier Violoncelli bearbeitet von Sheku Kanneh-Mason Béla Bartók Auszüge aus 44 Duos für zwei Violinen, bearbeitet für zwei Violoncelli Morton Gould „Cellos“ für acht Violoncelli Consuelo Velázquez „Besame Mucho“ bearbeitet für acht Violoncelli von Alexander Kahl


What's even more beautiful than a cello? Ten cellos! Chamber music is one of the great joys of life for our orchestra musicians. Here, seven members of our cello group and our orchestra academy come together with their colleague Sheku Kanneh-Mason, who is our current artist in residence, for a musically diverse programme.

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