11.00 Uhr
Familienführung
STILL POINT
Immersives Raumklang-Konzert mit elektronisch erweitertem Orchester, Obertongesang, Orgel und Plattenspielern
Konzerthausorchester Berlin
Titus Engel
Conductor
Shiva Feshareki
Turntables / Live Spatial Electronics
Vocalconsort Berlin
Ralf Sochaczewsky
Choir rehearsals
Sebastian Heindl
Organ
David Sheppard
Sound
Alexey Kokhanov
Workshop Overtone Singing
Anna-Maria Hefele
Workshop Overtone Singing
Shiva Feshareki
„Turntable Soundscape“ (Improvisation)
Shiva Feshareki
„Aetherworld: Josquin, Mirrored.“ (2021, DEA) für Live-Plattenspielermanipulation, immersive Elektronik, Orgel und Chor
Josquin Desprez
„Qui habitat in adiutorio altissimi“ - Motette für 24-stimmigen Chor
Shiva Feshareki
„Turntable Soundscape“ (Improvisation)
Daphne Oram
„Still Point“ (1948/49) für Doppelorchester, behandelte Instrumentalaufnahmen, fünf Mikrophone, Echo und Tonregler
After spherical soundscapes with overtone singing, Daphne Oram's ‘Still Point’ from 1948 can be heard, in which the sound of an orchestra is electronically processed live for the first time. Inspired by T.S. Eliot, she sets out in search of the ‘still point’ where past and future come together. Thanks to the young British-Persian composer and turntable artist Shiva Feshareki, her visionary work can be heard in Germany for the first time in 75 years. It is based on the then 23-year-old Oram's experiences as a radio technician under the glass dome of London's Royal Albert Hall during the bombing raids of the Second World War.
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Medienpartner
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Medienpartner
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